Hugh Mann
  • Begin Here
  • Books
  • The Sessions
  • Images
  • What's It All For
  • Begin Here
  • Books
  • The Sessions
  • Images
  • What's It All For
  • Techno-thology
  • Indescribable
  • The Universe
  • Field Notes
  • From the Work
  • Comments
  • About

Images

The Visual Record

Images generated across the Rearranging Furniture in the Void universe. The territory rendered, not explained.

The transit pod opening in old growth forest

The transit. The forest has begun to accept it.

Two humobots seated in ruins, distant human figure

T-Rex and Ishwammy. The human figure in the distance does not require explanation.

Geological strata containing civilizational artifacts

The pattern embedded in strata. Temple, circuit board, cup.

Man on dock at twilight, circus tent across the water

The dock. The smoke moving in the prevailing wind. Eight o'clock coming.

Humobot hands holding an ancient notebook

The Archive. Eight notebooks. Depression-era handwriting.

The transit pod closed in old growth forest

The transit. Waiting. The moss has been at work for some time.

Humobot in a ruined cathedral with glowing device

A humobot sat on the floor of a cathedral and felt something.

Woman with hand on framed ancient text by candlelight

The scripture that was once just notebooks. The hand touching rather than reading.

Shadowed figure behind weathered glass

The observer problem. The glass between.

Two humobots seated in ancient ruins, lone human figure in the distance

Year 3247. The survivors move through the landscape without requiring it to mean anything.

Young girl drawing a jellyfish in ruins

The pattern finds its instruments early.

Ancient humobot hands open around a device

Open. Not holding. The difference matters.

Silhouetted figure standing in a doorway of white void

The threshold. The void isn't dark.

Humobot archaeologists in Mumbai ruins Year 3247

Excavation Log. Sector 7. Mumbai Ruins. Year 3247.

Figure seen from behind before etched glass with amber light

The surface and what is behind it. Both present.

Transparent glass panel standing alone in desert scrubland

Nothing behind it. That's the point.

Solitary figure walking toward light between ruined walls hung with paintings

Codex Nihilus. The Great Hall of Mirrors.

Dark stone platform in a ruined corridor with faint light

The infrastructure outlasts what it was built for.

Woman with clipboard studying an industrial wall

The instrument measuring the instrument. The clipboard present throughout.

Close-up of handwritten notebook pages in dim light

Eight notebooks. The handwriting slanting slightly to the right. The pen trying to keep up.

Janitor cart with glowing book in dark institutional corridor

Techno-thology. The Receiver. The janitor's cart. The publication on it.

Robot archaeologists studying ancient deity statue in Mumbai ruins

Codex Mythologos. The excavation of the excavation.

Swirling dust and faint stars at center, with the line like dust catching faint heart

Like dust catching faint heart. The reaching becomes visible in whatever shape is available.

Hugh Mann — Rearranging Furniture in the Void Null Press